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About Us

This fabulous building began life as a Salvation Army Citadel, with the first stones, now visible in our auditorium, being laid in 1888. In strange quirk of fate, its designers and engineers were those behind many Victorian Music Halls, leaving it perfectly proportioned for its future theatrical life. It continued for some years as a furniture warehouse, before being discovered by two Royal Shakespeare Company actors, Tamara and John Malcolm in 1968. In 1973, fundraising for the new Theatre began in earnest, and the year was crowned with The Theatre’s first panto, Beauty and the Beast, staged in the town hall. The Theatre began as a true community resource, with residents of Chipping Norton each asked for £1 towards the conversion.


The Theatre was opened in 1975 by Tom Baker, the Dr Who of the time, beginning with a light programme including films and lunchtime Jazz concerts. The cottage adjoining the Citadel was purchased and converted to become the bar and gallery. The Theatre continued to grow and flourish, expanding its programme and reputation, and purchasing, in 1990, the building in Goddards Lane that now serves as green room, offices and rehearsal room.

 

1996 saw a major refurbishment, funded in part by the Arts Council, improving many aspects of the building, particularly the stage and wing space. Graham Rust, one of Europe’s finest muralists, was commissioned to produce the murals now visible in the bar. Not long after receiving a well deserved MBE for her services to The Theatre, Tamara Malcolm passed on the mantle of Artistic Director to Caroline Sharman. The current Artistic Director is John Terry.

 

The Theatre has had a strong and growing reputation for producing, presenting and touring its own work. The world-renowned traditional family pantomime is our longest running and largest annual production, drawing on a long history of traditional values, top-notch creative teams, and original, daring twists. However, since 2012, The Theatre has been producing several productions a year under its ‘Homegrown’ banner, with productions ranging from Tolstoy to Michael Frayn, Tennessee Williams to original family shows and remounts of modern classics. Increasingly, this work is now travelling further afield, touring the UK and collaborating with other venues across the country to make theatre of the highest quality for our audiences and audiences across the country. Recent press acclaim includes “A performance of dagger-like virtuosity” and “Mesmeric…riveting” – The Telegraph and The Independent on The Kreutzer Sonata (Arcola Theatre and Chipping Norton); “ A superb display of comic timing and physical performance” and “Puts larger, more important producers/producing theatres to shame with this demonstration of what can be achieved with what I would imagine to be limited funds and resources” – The Stage and Stage Talk Magazine on Stones in His Pockets (UK Tour and Chipping Norton).

 

The Theatre won the 2009/10 TMA Stage Newspaper Award for Outstanding Contribution to Regional Theatre, and now stands as a rare example of a successful rural receiving and producing theatre, funded and supported almost entirely by local people, local councils and local businesses.

 


 

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